Showing posts with label Terry Austin. Show all posts
Showing posts with label Terry Austin. Show all posts

Saturday, March 31, 2018

The Thing is Big Ben: Thing comics from the UK


It's no surprise that many American based comic book companies publish foreign and foreign language editions of some of their books. Many books have audiences outside of the US, so it only makes sense for Marvel, DC and others to reach out and try to sell their stories to different countries.

I don't usually collect foreign editions of books, because they're often hard to find, expensive and overwhelmingly numerous. But "The Thing is Big Ben", the United Kingdom's awkwardly titled collection from the 1980s, is a title that I've had my eye on for a while, for obvious reasons. I finally found a batch that was reasonably priced, so I placed the order and got a few issues.


The book consists of reprinted and repackaged stories from around the late 1970s. The Thing has the lead story, but each of the books also contains tales from other characters such as Iron Man and Captain America. The first volume of "The Thing" was being published at the same time in the US, but this UK version contains reprinted Marvel Two-in-One stories from a few years prior. It's interesting that they started with later stories, near the end of Two-in-One, rather than just starting at the beginning (when the stories were better). I wonder what the publishing arrangement was - if the UK folks only had access to older material or if someone involved really enjoyed the latter 25% of Marvel Two-in-One.


The covers are also an interesting part of these books. Many of them are similarly reprinted covers from Marvel Two-in-One, but some of them feature original art, such as the first issue with the Thing gleefully advertising the free hat offer, or the above new image from artist Terry Austin.


The books are sized at just a little bit smaller than current magazines. They're very flimsy and are printed on newsprint. Even the covers are the same paper stock, which gives the books a newspaper feel from cover to cover. Curiously, the color scheme changes from spread to spread. The first two pages of the above story are colored as you'd expect...


...but the next two pages are printed with shades of just one non-black color. This rotates throughout the whole book, which is interesting, to say the least. If this happens simply as a cost-saving measure, why not print the entire first story in full color, then print the remaining pages in black, white and blue? It's an odd choice.

"The Thing is Big Ben" published 18 issues in the mid-'80s, and it followed the same format throughout its run. So far, I've been able to track down eight of these books, so I've got a little more than half to go. I wonder if these are as easy (and as cheap) to find in the UK as issues of "The Thing" are to find in the US. If there's anyone from that part of the world reading this blog, I'd love to hear your thoughts on this reprint series!

Tuesday, March 22, 2011

Thing sketchbook, part 1

As a public service and a constant reminded of how awesome it is, I thought I'd release to the world my convention sketchbook.  I got the idea to carry one of these around with me in 2003 and since then, whenever I make it to a convention I try to get a few new additions to this book.  As I have a strange obsession with the Fantastic Four's Thing, I thought it'd be fun to get different artists' interpretation of this one character.  I've got 41 in my book as of right now, and as the book has gotten fuller it's become one of my favorite things about going to conventions in the first place.  I'll add some commentary to each sketch to give some context.

Unfortunately, there are a few sketches where I've forgotten the names of the artist who took the time to add his or her drawing - in those cases, I would be grateful to anyone who had any guesses in those regards.  Let's get started!


Angel Medina - Pittsburgh Comicon 2003

Angel Medina has always had a number of styles he works in, and this is an example of his "big head" characters he was working on at the time.  He was hyped at the prospect of being the first artist in the book.  I wish it were a bit darker, but beggars can't be choosers, I suppose.

I'm considering getting this piece inked at a future convention, but I'm not sure if that would be, you know, sacrilege or not.  Any opinions on that?



Terry Austin - Pittsburgh Comicon 2003

I find it funny that Terry Austin drew a classic Thing here and then goes on to tell some self deprecating joke about not being able to draw him.  Seems pretty good to me.



Pittsburgh Comicon 2003

I used to think that Michael Avon Oeming drew this, but now that I'm more familiar with his work, I realize I'm probably wrong in that assumption.  I got this done at the Image Comics booth at the Pittsburgh Comicon, I know that for sure - if anyone can help me out with the artist's name, I'd appreciate it.



Bill Morrison - Pittsburgh Comicon 2003

Bill Morrison was/is an art director at Bongo Comics, publisher of the Simpsons and Futurama comic books.  There was a long line of people waiting to get a sketch from him, and he seemed a little frustrated because everyone kept asking him to draw Homer or Bender when he made it clear that 20th Century Fox didn't allow him to do so.

He perked up when I asked him to draw the Thing, and he produced one of the most original entries into the book.



Steve Lieber - Pittsburgh Comicon 2003

Jimmy Palmiotti was talking with his friends at the Wizard World Philadelphia convention in 2004, telling them how easy it was to draw the Thing.  He mentioned that his friend Steve Lieber always drew the character in a suit and tie.  I brought the book over to him, opened to this page, and we all had a good laugh.  Hilarious.


I hope you, random reader, enjoyed these first five sketches.  I'll post more soon.