Showing posts with label Howard the Duck. Show all posts
Showing posts with label Howard the Duck. Show all posts

Tuesday, December 31, 2019

Where have all the ads gone?


Over the summer, I read through Kirk Demarais's "Mail-Order Mysteries" book, in which he compares the presentation of items in old comic book ads with the actual, physical products. It's a really fun book for those, like me, who hold a special, nostalgic place for those weird advertisements. Some of them even featured the Thing:


But as the world of print has changed, ads in comics seem to be fewer and fewer, with many ads from outside companies being replaced with in-house ads. I don't know why it should matter to me, because ads are generally distracting and comic companies aren't suddenly going to lower the cost on books just because they sell a few more ads, but because of the nostalgia factor, I find myself wondering where all the comic book ads have gone in the last, say, 20 years.


Both Marvel and DC are spending some shelf space on "facsimile"-style reprints, which reprint an old book to look almost exactly like the original, with the old advertisements and all. Marvel's one-dollar "True Believers" line also reprints books, but without the ads. It's hard for me to fathom why anyone would pay four bucks for a reprint when both companies are now reprinting tons of old issues for a quarter of the price, and yet I've found myself purchasing a few - the first of these, I believe, was last year's Fantastic Four #1 facsimile edition.

Do the ads and a slightly better paper stock make up for the three dollar difference? Almost certainly not...but they do give me the opportunity to compare the number and format of ads in the past with those of books today. And I'm going to share it with the Internet! Which is to say, I'm talking with myself and that's okay.

DC recently published a full reprint of Crisis on Infinite Earths #8 from 1985, the supposed death of the Flash. Here's what we find:


On the inside cover, there's an in-house ad about DC's 50th anniversary.


Later, there's an interactive Oreo ad.


This is followed by an ad for Reese's Pieces. It's (slightly) interesting to note that while the story pages look like they were printed from the original files, the ads appear to be scanned from a published copy, meaning they're not quite as crisp as the story pages. I guess there's no reason that DC would have kept stat copies of the ads from outside companies.


Next, we have an offer for a robot watch that, okay, still looks pretty cool, from Bonkers candy.


The next one is two half-page ads, one for the Transformers on VHS, the other an in-house ad for the New Teen Titans.


The next one has a familiar layout - I feel like I've seen any number of things sold with a similar mail-in form. This particular ad is for some glow-in-the-dark posters.


All right - now here's the classic comic book ad layout, with a ton of cheap gags and mailing lists to consider. I wonder if, at any point in the reprint process, anyone at DC considered replacing Red Cross ad with noted spokesman, uh, Bill Cosby.


Here's a subscription ad.


The inside back cover is similar to the inside front, as they both have editorial content.


And finally, on the back cover, there's a Kenner ad for the Super Powers toy line - a classic, for sure.

So let's add 'em all up. We have:

- 10 ad pages total, with 11 unique ads (or editorial content)
- 7 ads from outside companies
- 4 in-house-style ads or editorial pages

I'm counting the Super Powers ad as an outside ad, even though Kenner is selling toys based on characters owned by DC.


Now let's look at a recent book, Superman #16 from the current series.


On the inside front cover, there's an ad for the Adult Swim cartoon, "Primal". Now, Warner Bros. owns both DC and Adult Swim, so the parent company is the same. Did any money change hands to get this ad in this issue of Superman? Who knows! But I'm counting it as an outside ad, because I want to.


Next we have a superhero-themed Goldfish ad.


Here's an ad for a new wresting league. I've never been a fan of professional wresting. It was soap-opera-style storylines and big, muscular men who fight each other all the time with allegiances that seem to change week-to-week. Wait, that sounds exactly like superhero comic books. Uh oh.


Some people apparently hate these Snickers ads, because they're in a comic book style and sometimes you start reading them as if they were a continuation of the story in the book. Well, first, that's the point of formatting an ad like this, but also, how can you hate this an still pine for the old Hostess Fruit Pie ads? They're basically the same thing! I think they're great.


And then we have a long string of in-house ads, the first one of which is for the new Legion of Superheroes book.


And then one for the Zoom-line Black Canary graphic novel.


Here's one for the Doomsday Clock collection.


Here's one for the Heroes in Crisis collection.


And here's one for the DCeased collection.


At the back of the book, we have a "DC Nation" editorial page, followed by a DC Online video game ad. Again, it's tough to tell if this is an in-house ad or an outside ad, because I'm sure Warner Bros. has a lot to do with why this was placed in the comic.


Similarly, the back cover has an ad for a new Wonder Woman animated movie.

So, to the best of my understanding, here's what we have:

- 13 ad pages total, with 12 unique ads (or editorial content)
- 6 ads from outside companies
- 6 in-house-style ads or editorial pages

It looks pretty even when compared to 1985, even though many of the "outside" ads are from companies ultimately owned by Warner Bros.


Now, if I haven't lost everyone completely already, let's look at one from Marvel. This one is Howard the Duck #1 from 1976.


One the inside front cover, we've got an ad for...I've never read this ad in my life. Is it for model airplanes? Paper airplanes? Actual flight school for children? I'll never know.


One interesting thing about this book is that all of the non-cover ads were on two-page spreads, so none of them butted up against a story page. This spread has a bunch of ads, from a Slim Jim ad on the left to some in-house ads for the 1976 Marvel calendar and the "Son of Origins" book.


A lot of these pages are just jam-packed with ads. Who wants to be a locksmith? Who wants to customize a van? Who wants to...grow? Weird.


Another collage of ads on the left. Guitar lessons on the right! The Mail-Order Mystery book was born out of these pages.


Finally, an ad for Grit!


Half of all old comic book ads are for weight loss; the other for weight gain.


On the left we have our Bullpen Bulletins, and on the right - finally! - a Hostess Fruit Pie ad, with Spider-Man tossing pies to criminals! That'll teach 'em!


It's tough to tell if any of these are in-house ads or not. I'm going to say no, even though Spider-Man is featured prominently in both. Nothing like a little cross promotion!


On the back cover, we have a classic ad for Evel Knievel's Stunt Cycle!

This one is tough to quantify. Let's take a leap:

- 16 ad pages total, with 18 unique ads (or editorial content)
- 16 ads from outside companies
- 2 in-house-style ads or editorial pages

I'm counting those ad collages on a single page as one ad. Is that accurate? Uh...yes.


Lastly, here's a recent issue from Marvel, Avengers #24 from the current series.


On the inside front cover, we see the M&Ms cannibalizing one of their own. I think the recap page on the right counts as a story page, as opposed to something editorial.


This ad is for Marvel's online Contest of Champions game. Ugh, this really seems like an in-house ad, but I guess I counted DC's video game as an outside ad, so that's what I'll classify this one as, too.


This double-page spread is definitely in-house, celebrating the company's Eisner and Inkpot industry award winndes.


Next we have a Diamond Select ad for a Spider-Man diorama set.


On the left, we see the Cosmic Ghost Rider's skull, and on the right, we have a skull-themed ad for Venom Island. What can I say? Skulls are cool to draw.


Next we have an add for the new Mary Jane series, while at the bottom there's a code to download a digital copy of the book.


The "next issue" solicitation on the left, now that I think about it, should probably count as an editorial page. It's basically taken the spot of a letters page. And on the right, the inside back cover has an ad for Axe Body Spray.


And here's the back cover, with an ad for the Avengers: Endgame soundtrack.

That means we have:

- 10 ad pages total, with 10 unique ads (or editorial content)
- 5 ads from outside companies
- 5 in-house-style ads or editorial pages

Judging from just these two examples from 45 years apart, it seems that Marvel's ads have shrunk more dramatically than those from DC books - though I'd have to consider more issues than just two to come to any real conclusions. Still, it's interesting to see the shift in ad types over a few decades, especially considering the changes the print medium has gone through since these older books were printed.

Wednesday, February 18, 2015

Pictures from the 2014 Comic-Con International, part 10 (Nathan Fillion & Alan Tudyk @ NerdHQ, the Taco Truck and more!)


Ah, Comic-Con.  Where has the time gone?  We're closer to the 2015 show than we are the 2014 version, and yet here I am, still showing pictures from last year.  What can you do?  All of these pictures are from Sunday, the final day of the event, which was, all things considered, fairly low-key but still included a lot of great moments.  Here are a few.


Parodying the Comic-Con protestors never goes out of style, and sometimes includes horse masks.  The handles are, I guess, Instagram accounts, because they don't show up on Twitter.  A shame.


A big part of Sunday, for me, was spent back at Nerd HQ for their "Conversations for a Cause" series, which, as I've stated before, is pretty incredible.  I got tickets (thanks to Larry) for the Nathan Fillion panel.  The 2013 version was so much fun that I had to make it back this year for an encore.  It was more laid back as I already had a year under my belt.  Still, it was fun to see Fillion and Firefly companion Alan Tudyk again in this intimate setting.



As always, the very generous Zach Levi introduced the panel guests.


Fillion was gracious and funny as always.  He mentioned that he sometimes walked the convention floor, dressed in a costume that also covered his face, from time to time.  I wonder how many celebrities do something similar.  It's not a bad plan for blending in.



Firefly will never die, even if Wash did.


There were a lot of great items auctioned off this year.  I'm amazed at how much people are willing to spend.  It's great that all the money goes to Operation Smile, Levi's charity of choice.  I'd like to win something one day (one day...).


The NerdHQ team handled the photo booth better than they did last year, which included a mad rush after the panel had ended.  This year, if you had a ticket to the panel and $20, you could get your picture taken with both Fillion and Tudyk.  My wife and I are fans of Fillion's well documented photobombs, and so we asked to be included in that storied history.  I'd say we got a good one.  So we didn't lose our nerd cred, we were also wearing Futurama brain slugs at the time.


One of the walls at NerdHQ was dedicated to the people who donated to help fund the event.  I had to chip in a little as I take advantage of this offsite event at different points during Comic-Con.  My name made it on the wall right about...


...here.  The entire monstrosity is up online here (search for yourself!  Or search for me!): http://www.thenerdmachine.com/wall-of-honor-updated/


After the panel and picture session ended, it was time to head back.  Do these Pokemon outfits count as onesies?


And it was time for another trip across the bridge, which called for yet another picture of the convention center and the city...but this time...it was a panoramic view.  How nice.


One thing brought about by more events taking place on the back lawn is a longer line to the vaunted Taco Truck.  It was a bit distressing...but there was still a fairly short wait to the front of the line, and the Taco Truck is worth every minute spent waiting.


Here's the man in charge.  I love him.  And his burritos.


Here's a fairly prescient costume, given the ending of the Guardians of the Galaxy movie.  Good on this kid, though I'm surprised that anyone under 30 knows who Howard the Duck is.


Let's call this "battle damage Iron Man".  A nice job.


Another nice job by Aquawoman, unintentionally standing by a Ghostbuster.


It's strange to look behind you and see someone dressed like this following you.  Kudos to him for taking the picture in stride.


Here's a picture that illustrates how everyone feels at the end of a long convention.


This gentleman probably had the best costume at Comic-Con.  Apocalypse here is affiliated with the Cinema Makeup School, and questions as to if this "counts" as a legitimate fan costume are brought up.  I think it counts.  Either way, it's a heck of a costume.


Catwoman was standing next to Apocalypse.  She did a nice job, but that's a tough act to follow.


Battle Damage Dr. Mrs. The Monarch.


Love the original Trek uniforms.


To the side of the Cartoon Books booth stood this life size RASL statue.  Really cool.


How many times did this guy get described as "outrageous"?  Heck, what's one more time?

This is not the end.  There are still more pictures to show.  And show them we will.  Soon.