Q&A with "Artboy_X", part 1

I've known the mysterious, talented and mysteriously talented "Artboy_X" for quite a few years now, having working with him on various projects, most notably the Mr. Massive character.  I recently sent the X (as I like to call him...from now on) a list of questions, and he sent me back some answers.  Most of them are funny, and all of them are interesting.  Here's the first part of my interview with Artboy_X:

JM: This first question is one that many people (or perhaps just me) have been wondering about for years and years: where did the name "Artboy_X" come from? Is there any significance to it? Are you perhaps in the witness protection program?

X: If I was in the witness protection program, I think I would go with a name that was closer to “normal”...like Joe Brown or Joe Momma. Something that would not draw too much attention. I’ve always been a big X-Men fan and so everything I create must have an X in it...or else I’m not happy. In my world, any name, logo, or title that incorporates an “X” is automatically cool in my book. For example: eX-con, eXcalibur, eXtra, eXtra-ordinary, eXtreme, XXX, Triple X, eXample...you get the idea. X is just cool.

JM: What was the process you went through in first designing Mr. Massive? What were your influences for the character design?

X: My ultimate goal was to keep it simple and hopefully achieve that iconic feel of yesterday’s heroes such as Captain America, Superman, Batman, and Spider-Man. I started with a rough ball point pen sketch and when I went to color it - everything just came together.

JM: Mr. Massive is played out as a comedy. Why do you think the character lends itself to funny stuff rather than more serious storytelling?

X: The name lends itself well to a comedy, in my opinion. In our reality, today’s America and world...what would be the first thing on your to do list if you just found out that you (a 15-year-old boy) had powers that would rival that of Superman, Spider-Man, Batman, Captain America, Thor, Green Lantern and the X-Men (first class)? I don’t know about you, but a visit to our neighboring galaxy would be first on my list. I understand with great powers comes great responsibilities, but kids will be kids. Mr. Massive is a kid gifted with the powers of gods. Also, I think we just need more funny books in the funny book industry. Why so serious Batman? Why? 

JM: Who are some of your artistic inspirations?

X: I learned early in my art career that, as an artist, you can’t just limit yourself to learning from other comic book artists. So I try to keep my eyes on all forms of art and artists from other industries. When I first had the idea of becoming a comic book artist, I would reference the work of Jim Lee, Marc Silvestri, Whilce Portacio, Rob Liefeld, Todd McFarlane and Erik Larsen. I’ve always been a big fan of the team books and the mainstream style of the time.


Here is a short list of the artists who inspire me in my growth as an artist and pursuit of my individual style: Jae Lee, Bart Sears, Rags Morales, John Paul Leon, Larry Stroman, Dale Keown, Brandon Peterson, Alex Ross, Joe Mad, Albrecht Durer, Michelanglo, Rapheal Sanzio, Donatello (and all the other Ninja Turtles), Bruce Timm...I can go on and on but I have a questionnaire to finish.

JM: You are currently an artist who is enlisted in the US Army. Do your fellow soldiers ask you to draw things often? Tattoos, perhaps? What kind of stuff do you design for your comrades-in-arms?

X: Yes, the request for tattoos never end. It's a good thing I graduated from the D.A.R.E program...and mastered the ability to say no to friends and associates. But things changed once they started offering George Washingtons and Benjamin Franklins as a sign of their eternal gratitude. I’ve designed t-shirts, logos for some of the units and a couple tats. One thing that I am proud of is the mural of Transformers I did on the back wall of a classroom in Virginia in 2007.

I'll stop there are finish this interview in just a couple days, in which I'll ask Artboy_X about Image comics and vegetables (not necessarily in the same question).  In the meantime, you can check out the Kickstarter page he's set up for an X-Plosive Comics anthology here: http://www.kickstarter.com/projects/2028284042/explosive-comics-black-terror-mr-massive

Thing sketchbook, part 3

It's time for more Thing sketches...because I said so.  I did!  I just said it.  This is a fantastic bunch, with what might just be my favorite related story.  I imagine which one I mean will be obvious.  Take a look!

Erik Larsen - Wizard World Los Angeles 2005

This is apparently Erik Larsen's stock Thing image, as people have told me they've seen it before when they look at the book.  It's fantastic either way.

Chuck B.B. - Wizard World Los Angeles 2004

Most people draw the Thing smoking a cigar, which was the norm in the 1960s and '70s.  A cigarette doesn't really have the same effect.

Talent Caldwell - Pittsburgh Comicon 2005

This was the most awkward sketch in the book.  Talent Caldwell had a sign on his table that read "I will not sketch Supergirl."  I asked him why, and he said "because I hate drawing Supergirl."

I gave him my book and he made it look like it was the most painful thing he'd ever done.  He stopped several times and shook his hand like it was cramped (who knows, maybe it was) and would make "aagh" noises under his breath.

To break the silence of me just standing over him watching him draw, I said "your art reminds me a lot of Michael Turner's", at which he took offense.  He said "it doesn't look anything like his!", but here's the thing: he studied under Turner, worked in his studio, and would do backgrounds for him.  Anyone who's seen their art side by side has to admit that there's at least a resemblance.  But he would have none of it.

As he was drawing, a handful of people gathered around, each getting his or her sketchbook out in anticipation.  When he was done, I took the book back from Talent back and thanked him.  He shouted out "twenty dollars!!", at which point, everyone else put their sketchbooks away.  I handed him the Andrew Jackson (or the equivalent thereof) and he said "I probably should have told you that before I started drawing."

Weird.

Also, a friend of mine was with me in line, and after a while he started recounting a story told earlier about Caldwell by Jimmy Palmiotti and Amanda Conner.

Apparently they had all gone out the night before and had some drinks, so Jimmy and Amanda started referring to him as "Wasted Talent", etc. My friend started to recall this and was being WAY too loud about some of the nicknames, which Caldwell obviously heard and, as he was uncomfortable with it, started shifting listlessly in his seat as he was drawing.

I had no idea what to do while all this was going on, so I just stared at the ceiling.

Darryl Banks - Pittsburgh Comicon 2005

Darryl Banks might be best known for co-creating the Kyle Rayner version of Green Lantern.  In 2005 he had been out of comics for a little while, but was looking to break back in with a Cloak and Dagger pitch.  The writer at the table with him wanted everyone to sign a petition to send to Marvel saying that they should be allowed to produce the book (which seemed like an odd way to go about things).

The writer went into his pitch on what he would do with the characters.  "Most people don't know how to write teenagers," he said, "but I do!!  I've lived it!"  He was very adamant about that fact.

I asked Darryl why he incorporated the dollar sign into his signature, as he had started doing about half way into his Green Lantern run.  "It's when I starting making lots of money", he said.

Casey Jones - Pittsburgh Comicon 2005

How does someone get a name like Casey Jones?  In any case, he's one of the nicest creators I've met, and draws the Thing with two eyebrows as opposed to the Kirby-esque unibrow.  He drew a couple fill in issues of the FF in '04 or '05, and I've since become a big fan.

Plenty more to come!