Showing posts with label Jimmy Palmiotti. Show all posts
Showing posts with label Jimmy Palmiotti. Show all posts

Friday, April 15, 2011

Thing sketchbook, part 3

It's time for more Thing sketches...because I said so.  I did!  I just said it.  This is a fantastic bunch, with what might just be my favorite related story.  I imagine which one I mean will be obvious.  Take a look!


Erik Larsen - Wizard World Los Angeles 2005

This is apparently Erik Larsen's stock Thing image, as people have told me they've seen it before when they look at the book.  It's fantastic either way.



Chuck B.B. - Wizard World Los Angeles 2004

Most people draw the Thing smoking a cigar, which was the norm in the 1960s and '70s.  A cigarette doesn't really have the same effect.



Talent Caldwell - Pittsburgh Comicon 2005

This was the most awkward sketch in the book.  Talent Caldwell had a sign on his table that read "I will not sketch Supergirl."  I asked him why, and he said "because I hate drawing Supergirl."

I gave him my book and he made it look like it was the most painful thing he'd ever done.  He stopped several times and shook his hand like it was cramped (who knows, maybe it was) and would make "aagh" noises under his breath.

To break the silence of me just standing over him watching him draw, I said "your art reminds me a lot of Michael Turner's", at which he took offense.  He said "it doesn't look anything like his!", but here's the thing: he studied under Turner, worked in his studio, and would do backgrounds for him.  Anyone who's seen their art side by side has to admit that there's at least a resemblance.  But he would have none of it.

As he was drawing, a handful of people gathered around, each getting his or her sketchbook out in anticipation.  When he was done, I took the book back from Talent back and thanked him.  He shouted out "twenty dollars!!", at which point, everyone else put their sketchbooks away.  I handed him the Andrew Jackson (or the equivalent thereof) and he said "I probably should have told you that before I started drawing."

Weird.

Also, a friend of mine was with me in line, and after a while he started recounting a story told earlier about Caldwell by Jimmy Palmiotti and Amanda Conner.

Apparently they had all gone out the night before and had some drinks, so Jimmy and
 Amanda started referring to him as "Wasted Talent", etc. My friend started to recall this and was being WAY too loud about some of the nicknames, which Caldwell obviously heard and, as he was uncomfortable with it, started shifting listlessly in his seat as he was drawing.

I had no idea what to do while all this was going on, so I just stared at the ceiling.



Darryl Banks - Pittsburgh Comicon 2005

Darryl Banks might be best known for co-creating the Kyle Rayner version of Green Lantern.  In 2005 he had been out of comics for a little while, but was looking to break back in with a Cloak and Dagger pitch.  The writer at the table with him wanted everyone to sign a petition to send to Marvel saying that they should be allowed to produce the book (which seemed like an odd way to go about things).

The writer went into his pitch on what he would do with the characters.  "Most people don't know how to write teenagers," he said, "but I do!!  I've lived it!"  He was very adamant about that fact.

I asked Darryl why he incorporated the dollar sign into his signature, as he had started doing about half way into his Green Lantern run.  "It's when I starting making lots of money", he said.



Casey Jones - Pittsburgh Comicon 2005

How does someone get a name like Casey Jones?  In any case, he's one of the nicest creators I've met, and draws the Thing with two eyebrows as opposed to the Kirby-esque unibrow.  He drew a couple fill in issues of the FF in '04 or '05, and I've since become a big fan.


Plenty more to come!

Wednesday, March 30, 2011

Thing sketchbook, part 2

Here's another installment from my award winning* Thing sketchbook - five entries that I've managed to collect over the years.  There are some great ones included in this batch (check out the first one by Tim Bradstreet!), and another where I need some help with the artist's name.  Let's begin with the showing and the telling:


Tim Bradstreet - Pittsburgh Comicon 2003

Tim Bradstreet (perhaps best known for his Punisher covers) gets the prize for "best intimidating image" for this book.

While sketching, he mentioned several times that he was looking forward to taking in a Pirate game while he was in town.  I then asked him if he knew that they were terrible.



Michael William Kaluta - Pittsburgh Comicon 2003

A few people were getting sketches from Mr. Kaluta as I stood in line toward the end of the day, and he told everyone that he could draw two types of sketches - good ones that would cost money, and not-so-good ones that were free.  You can guess which one I opted for.  He used a can to draw the sunset.



Jimmy Palmiotti - Wizard World Philadelphia 2004

It took Jimmy all of 30 seconds to draw this (nevertheless impressive) sketch, proving to his friends that it could be done.  "Start with the brow and go from there," he said.



Wizard World Philadelphia 2004

This artist (whose name is John, though I forget his last name...and it's such a distinctive signature!!) happened to be sitting right next to Jimmy Palmiotti at the Wizard World show, so I just passed the book on to him.

I mentioned that he could draw any version of the Thing he wanted to - helmet Thing, pineapple Thing, etc. - and he replied that he hadn't enjoyed the Fantastic Four book since Jack Kirby left.  I thought to myself, "wasn't that like 35 years ago?!", but I didn't say anything.

In either case, "Thing in Love" is a pretty good one.




Artboy_X - Wizard World Los Angeles 2005

My buddy (and Mr. Massive artist) Artboy_X has a code name.  I don't know why.  Anyway, I got him to add a sketch to the book, which my wife thinks looks a lot like Wolverine.


That's good for now, eh?  I've got a bunch more, so look for another entry soon.

*It hasn't actually won any awards.  But it is deserves to.  Oh, how it deserves to.