pictures from the 2021 New York Comic Con, part 2

Here are some pictures from Saturday at this year's New York Comic Con!

Let's start off with handsome Squidward. 

The biggest booth in artist alley belonged to Scott Snyder and ComiXology. Snyder and artist Greg Capullo signed autographs and gave posters and pins to the long line of folks who waited for them. I snuck in just before the two left.

Did I get some Thing sketches at this year's show? I got three of them! It was great to add some more to the sketchbook for the first time in quite a while. Here's Dane Ault from Monkey Minion Press, holding up his contribution to the cause. Dane makes great posters for different conventions, and I've got a few of 'em from San Diego over the last several years. I was very happy to get this sketch.

There were more comic book and comic art vendors at this year's show - or at least they were more prominently featured this year. This booth was very impressive, and is that the original Bernie Wrightson art from the Thing/Hulk Marvel Graphic Novel I see? Holy cow! 

This was one of my favorite costumes from the show this year. Bravo.

Man-Thing gets interviewed.

The Star Trek Prodigy booth was one of the biggest at the show. I desperately wanted to walk home with a piece of the display, but alas, I did not. Pictures will suffice.

Another impressive booth belonged to eBay, which displayed a number of rare collectibles behind glass. Here's Amazing Fantasy #15! I surprisingly saw several copies of this book at the show this year.

I have not seen Midsommar. Larry tells me that it was weird.

Tony & Peter.

What is this costume? I do not know. Good for this person for going all out, though.

I hate the Joker Who Laughs, I'm ambivalent about Venom, but these are three good costumes.

MOOD! Oh, wait, I mean, DOOM!

I think this guy dressed up as Mr. T a few years ago, as well. But can you blame him for breaking it out again? I absolutely support this decision.

Leaving the show, I was treated to Reed Richards with one big fist.

It has been brought to my attention that I did not mention that my pal Larry came to this show with me. I also found out that I have almost no pictures of him (or me, I guess) from this show. These things happen! But Larry came along and I was happy to have the company at what was a weird, but good, show.

After we left the convention center on Saturday, Larry and I took the High Line over to the brand new Little Island, an honest-to-goodness new island that was built for a quarter-of-a-billion dollars off the coast of Manhattan. It's over an acre big and features walking paths, performance areas, food trucks, lots of trees and some very impressive views. I recommend this to anyone visiting the Big Apple. It was my first time back since 2019 and I really missed it!

I was really unsure about attending this show, for obvious reasons, in the weeks leading up to it. But it wasn't overcrowded, masking was enforced, and it ended up being a fun time. The show lacked a lot of big draws and there weren't nearly as many attractions in general, but I'm still glad that I went. I bought some comics and some art when I was there, got some Thing sketches, saw a few friends that I hadn't in a while, and got to explore New York a little bit, too. I'm sometimes critical of NYCC for how they handle their show, but this one was a good, albeit weird, one. It was good to go to a show again.

"Peril in Pittsburgh!"

It's a well-known comic book fact that most superheroes live either in New York City or in a fictional NYC placeholder like Metropolis or Gotham. But every once in a while, there are a few comics that break out of that mold and visit other real-life locations. Pittsburgh, I'd say, has been a bit underrepresented in comics in general, though there are exceptions. Firestorm is probably the most well known mainstream character to call the Steel City his home, and fellow Western PA creator DJ Coffman set his "Hero By Night" Platinum Comics series in Pittsburgh.

I recently picked up the two-part Avengers storyline that brought Iron Man and Wonder Man (and eventually the full Avengers lineup) to Pittsburgh, and I thought I'd give it a look here on the ol' blog. The storyline runs through Avengers 192 and 193. The A+ team of George Perez and Joe Sinnott drew the cover to issue 192, and it seems that Perez had read up on all of the latest Pittsburgh cliches for the non-superhero stuff: men in hardhats (with literal blue collars), smokestacks, industry. Checks all of the boxes.

If you look closely at the guy in the middle, I think his hardhat says "Weiner". Cool.

If you've ever seen a Monday Night Football Steelers broadcast, you've seen this shot. And you've heard them talk about the city's confluence of three rivers. So we're hitting the ground running, right from page one. This issue had a cover date of February, 1980, meaning it came out right a the end of the decade, and when this image still probably fit for Pittsburgh. Fun fact: they do still make steel in Pittsburgh forty years later, but it's actually not the only thing that happens, or has ever happened, in the city.

The plot of the story revolves around this: steelworker Joseph Conroy, who in Journey into Mystery #120 grabbed a sliver of Thor's broken hammer (gotta find that issue now, too), is thrown into a cauldron of molten steel. Simon Williams (Wonder Man) and Tony Stark (Iron Man) are in town, as Stark is considering purchasing the plant.

I have to believe that the second balloon was added at the last minute.

Conroy's co-workers give him a gruesome burial, and then get right back to work, and no one seems too bothered by the fact that someone just got incinerated right before their eyes. What can you do, I guess?

But then, as a result of holding onto the Mjolnir sliver, Conroy is transformed into the Pittsburgh Steeler! No, wait, I guess he chose another name. Okay.

There's a fight, which Iron Man politely narrates...

Oh! And there's a Mr. Fantastic ad for Hostess Fruit Pies! Wait, it's for Twinkies? No, I refuse to believe that Hostess made comics for any product other than their fruit pies. If I'm not mistaken, I'd say this ad has art from Sal Buscema.

I feel like Captain America is being overly dismissive of Pittsburgh here. Has he seen the air quality ratings for the last 50 years?

"Battleground: Pittsburgh!" is a great title. I like it.

Issue 192 was pretty light on any Pittsburgh-specific details. Yes, it takes place at a steel mill, and I guess a lot of folks (still) associate that with Pittsburgh, but this story really could have taken place anywhere. After reading this, my hopes weren't very high for the second chapter:

"Inferno Unleashed!" The other title was better. This issue has a cover by none other than Frank Miller and Bob McLeod! And is that supposed to be an incline car??

On the first page, one thing stood out to me: the plot credit for the Pittsburgh Comix Club. I've gotta believe that the writer or editorial team knew that they had to add a little more specific information in this issue, so they sought out a local fan club to help out.

The Pittsburgh Comix Club is an interesting group worth reading about; you can find more info on them here and here.

The issue opens up with a quick recap of the previous one. Joseph Conroy is now Joe, and the colorist seems to have gotten a note from editorial, as well.

The Avengers come to Pittsburgh, and its citizens make, okay, a pretty good joke.

Everyone decides on "Inferno" for the misunderstood villain's name, as he hunts down those responsible for his untimely demise. One guy narrates his own death, as he is rather unceremoniously crushed by a barge.

Oh, hey! And then the Pittsburgh references start to flow. The Pittsburgh Comix Club is coming through in the clutch, just like Bill Mazeroski in the 1960 World Series! Inferno is apparently near the Liberty Bridge, which is moving away from downtown, and is near Duquesne University, the Civic Arena (since torn down) and the Liberty Tunnels!

This would have been a good time to use "jagoff" instead of "jerk", but okay. You can't win 'em all.

Pretty soon, there's another reference, this time to the famous Duquesne Incline! To make it from the Liberty Bridge to this particular incline station in five minutes would be possible, I guess, if there were no traffic.

LADIES AND GENTLEMEN, WE HAVE A STEELERS REFERENCE

And here, on page 18, we can only assume that the artists found a Pittsburgh reference guide, because that is undeniably the Duquesne Incline station depicted.

Yep - it checks out.

Casual misogyny...check...

And wait...there's even a reference to Mt. Washington, at the top of the incline, and maybe even a shot of the fountain at Point State Park (even though this isn't the view you'd see from the observation trail)? Better yet, the story's real villain, the steel mill owner who, through a rather convoluted scheme, had Joe Conroy killed, lives on Mt. Washington, a wealthy part of the city.

The Avengers apprehend him by breaking through the world's largest window!

And then they let Inferno simply walk into the river, I guess never to return? The Avengers sure do like to have loose ends tied up, no matter how it has to happen!

Oh, and there's an ad for Star Trek: The Motion Picture on the back cover!

So, this wasn't a great story overall, but it's obvious that the Pittsburgh Comix Club had a big hand in adding a lot of references to the second half, and that, at least, was enjoyable. Both of the issues felt quite a lot like filler to me, and the story ends with a mystically-powered force of nature walking off unchecked toward a populated city, but I guess we'll have to take what we can get with these issues. It was still fun to see Pittsburgh so prominently featured in two Bronze Age issues of the Avengers.

Fantastic Four original art - FF #7 inks from John Lucas!

Just a few months ago, I purchased a page of original Aaron Kuder art from Fantastic Four #5, the wedding issue for the Thing and Alicia. Since I had just picked that up, I wasn't really in the market for another page of FF art from the same run, but then a few popped up for a really good price, and what can I say? It was a great deal and I went for it.

The following pages are from Fantastic Four #7 and are not actually by Kuder - John Lucas helped out with some inks in this issue, and these are his inks over the Kuder's blue lines. That is to say, Kuder's penciled pages are still out there. This actually made it more attractive for me, as I had just bought some of Kuder's work, so now I have something a little different.

I got a total of four pages, each in various stages of development. Let's take a look!

This is the only fully inked page in the lot. You can see Lucas's signature at the bottom of the page.

This one has a great shot of the Human Torch going nova in front of Galactus. I finally have some Galactus art! Thank goodness.

And here's how the page was printed in the comic.

The next page, and the subsequent ones, too, were all partially inked. I don't know if Kuder inked the other parts on his own, or if Lucas did the whole page in different stages, but what's not inked is printed blue line. Here we have the middle three panels of the page, where Reed tries to fool Galactus into thinking that he has the Ultimate Nullifier once again.

And here's the page in its completed form!

The next page has inks on the top two panels, with some really nice shots of Reed and Galactus, with Sue and Ben at the bottom.

Here's the page as it was printed.

Lastly, here's a page that has an un-inked Galactus crashing into some Latverian mountains.

This page also has the best shots of the Thing, and we also see Johnny, Sue and Dr. Doom, too. So this page has the full team and Doom! That's great!

Here's what the final page looked like in the comic.

This is actually not the first artwork from John Lucas that I've got in the collection. A full fifteen years ago (!) I got a sketch of Ben Grimm in my much-ballyhooed Thing sketchbook. The above image is from Wizard World Philadelphia way back in 2004. Nice to see John still at it!