Comic-Con 2018 is upon us, and once again I'll be making the trip to San Diego for the annual pop culture extravaganza. Will I take pictures? Yes, yes I will, and I'll slowly share them with you for what will seem like an eternity.
If you're coming to the show, you can find me at two locations throughout the week. I'll be in the small press section, booth M-06, sharing a booth once again with the wonderful Jennie Wood. We'll have new copies of Flutter, vol. 3 for sale! I'll also have the brand new All-Star FUBAR, Honcho, The Tick, and some pins as well. I'll also be spending some time with Ian Nichols at the New England Comics booth, #1807, on Thursday through Sunday. Check out all of the Tick exclusives on sale, including a brand new comic, made just for the show (they put my name right under Edlund's, everyone).
You'll also find me running around like a maniac, trying to do everything possible, buying more than I should, and eating at the Taco Truck. The Taco Truck! I can't wait to get a burrito from there.
I wanted to title this post "Look at banner, Michael!", but I guess I used that to show off my last convention banner, which I got...seven years ago. Sheesh. Anyhow, here's my new convention banner:
The art comes from the very wonderful Emma Glaze. I thought it would be kind of funny to see me sitting at a convention, staring off into space, while in front of a banner with the same image on it. I took a few pictures behind a folding table in, well, in the basement:
I hadn't used my last banner, adorned with Teddy and the Yeti images, in a few years. This is because I am lazy, but also because that particular banner started to get a little moldy. I'm surprised something like that could even get moldy, but apparently it is possible.
A lot of my comic friends (most of whom are much more successful than I) have banners with very simple imagery, and I wanted to do something kind of similar, and something that had my name in big text on top. I have no idea if anyone will see it and say "hey, I've read things by this guy and I don't hate them", but I'll give it a try. And look, my name is on this thing TWICE! That's got to attract attention.
I asked Emma to send me a blank version of the image as well, in case I wanted to go with a different font for the text at top. I ultimately went with what she suggested, but now I have a blank version on which I (and, now, everyone else) can write nonsensical things. Let's look at a few!
"The Old Standard"
"The Cry for Help"
"The Abyss Stares Back"
I'll hang this beauty up for the first time at Comic-Con in San Diego later this week. See you there!
After years of reading and re-reading a stack of my dad's old comics, I started reading DC and Marvel titles in earnest in 1992, when I was 10 and 11 years old. One of the first new books I picked up was Spider-Man #26 (with a sweet 30th anniversary hologram cover), and the "Death of Superman" story a few months later got me hooked, apparently for good. I'm pretty sure that my mom bought me that Spider-Man issue, but regardless of how it came home with me, I know that I got it off of a spinner rack at a grocery store, where the comics were located right by the entrance and were the first things I saw walking into the store.
It wasn't until I was about 16 when I actually stepped foot into a comic book specialty store with any regularity, and I was in college the first time I signed up for a pull list. In the years since, comics have mostly disappeared from grocery stores and similar businesses, and while online sales certainly are to blame for some of that, I'd say that the industry as a whole has suffered from this lack of an initial exposure point, primarily when it comes to kids. Comic shops are great, and I'm thankful that I don't have to run out to Foodland every week in hopes that they'll have the new Fantastic Four issue in stock, but they don't always attract a lot of first-time customers. You go to a comic shop if you like comics, not if you feel ambivalent or don't really know about them.
In general, this is why I was excited when DC announced that they would begin selling four new books exclusively at Walmart. It allows potential readers - kids, specifically - an opportunity to see the books in a place they might already be. There are more Walmart stores across North America than there are comic shops, so I guess Walmart has just become the biggest comic shop chain in the world? Maybe that's a stretch, but I think it could be the biggest step forward for visibility since, well, the slew of comic book-based movies over the last 20 years.
Even better, these four comics, Superman Giant, Batman Giant, Justice League of America Giant and Teen Titans Giant, are each 100 pages long and cost $4.99. That's a much better value than the usual 20-page story for only a dollar less.
From a collectors' standpoint, just like anything new and unusual, this new program has sent a number of established fans on scavenger hunts to Walmarts across the country in search of these books. So Walmart is getting customers from both sides - comic fans will stop in to grab the new issues (and maybe buy some toilet paper while they're there), and new readers might pick up a book for the first time (while they're already there, buying toilet paper).
I generally try to avoid shopping at Walmart for a number of reasons (all of which are probably too boring for me to write about here). But when the books were released on July 1st, I made the journey to the store and tried to find them, and without too much hassle, I managed to track them down.
The books were located near the self checkout aisles, next to trading cards and other cheaper collectibles. I've love to see these placed with the other magazines by all of the lanes, but I guess this is an okay start. The books are housed in the above display, which I really like and want to own. Do you think that Walmart has, like, five of these in the back? Should I ask them to give me, a grown man in his 30s, one of their comic book displays?
The display isn't very big, and probably holds two dozen of these 100-page Giants at most. I found all four titles, though I grabbed the very last Teen Titans issue. There were more Batman issues remaining than any of the other three titles, which leads me to believe that they had more Batman issues in stock to begin with. It's probably the most popular title, right?
The image underneath the two front spaces is, I think, from Alan Moore and Curt Swan's "Whatever Happened to the Man of Tomorrow?" story. The whole thing is designed very well. I believe that, starting in August, new issues will be released during the first and third weeks of every month.
At this particular store, there were also a few collected three-packs of comics in the stands, which featured the characters from the Giant titles. This is another great offering, as it gives people a smattering of other stories with the characters from the titles they might have just read and enjoyed. And these aren't just comprised of old stock - the title dress is slightly different from the titles that were released a few years prior.
Here's the back of the three-pack bundle. It's basically just...an ad for the comics inside.
Speaking of ads, at least two of the titles have the comic shop locator service listed inside. This should easily be all four, as all of the ads in these titles are in-house and for other collections, and it should be plastered on the inside front cover, but I guess this is a start for now.
Oh, and it just so happened that Planters Cheez Balls just came back to stores on the same day. So this was a heck of a trip to Walmart! Can you believe it? Cheez Balls are back, and comic books are in general stores! Things are looking up. I hope both of these are remarkably successful.
There are strange observations a comic book collector makes after acquiring a lot of comics over the span of a few decades. Some companies print their books at a slightly different size than others. Some books have a distinct smell to them. And some books make comic book bags wrinkle up after a few days in storage, which I've noticed for quite a while about the majority of books published by IDW.
I'm not sure if the pictures I took do this justice, but I think the angle and the light reflection serve to illustrate the point fairly well. I grabbed two recent IDW books from my stack and snapped these pictures of them. I've probably had them bagged and boarded for about two months. You can see the ripple along the bags. The bags have a slightly weaker or looser feel to them, as if they have lost some of their sharpness and form. Most other books from different companies don't have this effect on the bags I put them in.
I've always wondered just why this happens, and why it happens primarily to books from IDW. A few days ago, I found this possible cause:
This makes plenty of sense, of course. A higher acidic content would have to affect plastic bags in some manner, right? Can anyone confirm this?
And yes, the phrase "segregate your IDW books" makes me slightly uncomfortable.
A few months ago, I posted a short review of Edy's new Superman-inspired Krypton Cookie Dough ice cream. In it, I mentioned that each container in this new DC superhero product line had a comic on the back of it. Well, I've finally found all of the comics, and not just for Superman, but for the Batman and Wonder Woman ice creams as well. Companies should be rewarded for including comics as part of their comic book tie-ins! So here, unsuspecting public, are all 12 of the comics, whether you want them or not. You can click on each individual picture to get a larger image.
Let's start with Superman, in "Power Struggle":
And then it's on to Batman, in "Seeing Double...Double".
And lastly, we have Wonder Woman, in "Truth and Consequences":
Every year for Free Comic Book Day (since 2013), I've been lucky enough to travel to Boston and New England Comics to sign copies of the annual Free Comic Book Day issues of The Tick. This year was like previous years in that it was awesome, but I also managed to grab a number of original art pages while I was there, so I thought I'd show them off here.
I started off the day at NEC Quincy, which was busy from the time the doors opened until after I left at around 3:00.
From 4:30-7:00, I signed comics at my favorite NEC location, the Harvard Square store. It was surprisingly busy at this store as well, and there were still people wandering in as the shop closed down for the night.
These kids walked in and were just enthralled by the Batman: The Brave and The Bold episode that was playing. I'll admit that I was watching it, too.
So let's take a look at some of this art that I picked up this weekend. The first is a Son of Hitler page from Jeff McComsey. Jeff's not from Boston, but I managed to meet up with him on my way to New England. This is probably my favorite page from the book - one of the main character dons a pair of glasses as a disguise, which is just about the most comic book thing in the world, so I was glad to pick this up.
I spent some time at NEC Quincy with artists Alex Harris and Tony Sedani, and I was able to get some artwork from both of those gentlemen. The first two pages are from the new Tick #2. Alex drew the short story I wrote that showed up in the back of this issue.
The story in question didn't have The Tick in it, and Arthur was only on the first page, but dangit, I enjoyed writing it. And Alex did some nice work with Running Guy and Rubber Ducky.
Tony Sedani had a three-page short story in this year's FCBD issue, and I was able to grab one of them from him. This particular page features a nice rooftop scene with The Tick and Arthur.
After FCBD ended, I met up with Ian Nichols for dinner and comic talk (this is my life), and he surprised me with a page from last year's Comic-Con Special issue. I love that handwritten sound effect!
I hope everyone had a great Free Comic Book Day. What comics did you get? Anyone still looking for a particular issue?
Free Comic Book Day is nearly upon us, and once again I'll be traveling to Boston to join in the festivities at to different New England Comics locations! If you're in the area, you can stop by to get some books, and I'll even force you to let me sign the new issue of The Tick. Artist Ian Nichols will also be at NEC (Brookline) signing and sketching.
Here's my schedule for Saturday, in case you'd rather not read the flyer that's right above this:
New England Comics (Quincy): 11:00-3:00
New England Comics (Harvard Square): 4:30-7:00
Note that the information for the Quincy store states that I will arrive at 11pm. This is probably incorrect. Either that, or I'll be there for quite a while. Either way, there'll be free comics! Hope to see you there!
I just finished lettering a new original graphic novel, "Son of Hitler", that will be published in late May/early June from Image Comics. This is my first published work of any sort through Image!
Before we step any closer, let's address the title, which is of course a bit provocative, and the content. The phrase "Son of Hitler" dredges up a lot of uncomfortable imagery, but the book is a spy thriller set in World War II and features a plot to kill Adolf Hitler. I'm sure the book title will raise some eyebrows, and understandably so, but let's put this story firmly in the category of "anti-Nazi" before we go any further.
The story is written by Anthony Del Col and Geoff Moore, and drawn by my pal Jeff McComsey. I've done a little bit of work for Anthony before, but I got involved with this project after Jeff asked me to add some lettering to it. Jeff and Anthony appeared at the Image Comics Expo a few weeks ago to talk about the book.
Image even ran a feature of it last month in their "Image+" magazine.
The issue includes a few different pieces on the book, starting with an interview with Anthony about his work and his previous career in the music industry.
And there's a nice spread with quotes from both Anthony and Jeff, followed by a short preview of the book, all of which has my lettering work on display, which is pretty neat.
The book clocks in at nearly 200 pages, so this was easily the largest single story that I've lettered. There were some sleepless nights as deadlines drew a bit closer, but I'm happy with the end result and I'll be looking forward to seeing the book in print.
Other than Anthony, everyone involved with the book had some iteration of the name "Jeff" - McComsey, me, (Geoff) Moore, and even one of the editors at Image who worked the title. Once I started lettering, Anthony sent me a message asking if I had a nickname or anything he could use to differentiate, other than my 10-letter last name. I guess I had to disappoint him, because nothing springs to mind, but I guess I'm open to suggestion.
This book will show up in comic shops soon! I hope you check it out!