Thing sketchbook, part 29

Merry Thingmas, everyone! Here to Thing in the holidays is none other than Ben Grimm, with five more lovely sketches from the Thing sketchbook. Let's take a look! Thing!

 

Luis Perez Banus - Rhode Island Comic Con 2021

It's fun to grab sketches from artists I know or those who've drawn the Thing in an official capacity. It can be unpredictably exciting, though, to take a chance with someone you've never heard of, because you don't know what you're going to get. Take this zombie-esque Thing from Luis Perez Banus, who I saw at the tail end of 2021's Rhode Island Comic Con. Someone tabling at the show cut out after Saturday, so Luis commandeered the spot and was selling drawings, guerrilla-style, during those last, fleeting convention hours. I thought his style was interesting enough to take a shot at a Thing commission, and Luis delivered with one of the more unique entries into the book.

Lin Guo - Comic-Con Special Edition 2021

2021 saw San Diego's Comic-Con return following the cancellation of the previous year's show, and I was so excited to have it come back that I didn't mind that it was held on Thanksgiving weekend. The show was lighter and more subdued than the years immediately prior, but it also focused a lot more on art and comics than the show sometimes does now. I only got one Thing sketch at this show, from Lin Guo, but it's great one, a real slice-of-life drawing of Ben Grimm's morning routine. Lin drew a pinup of the Bulwark for Planet Comics soon after!

Jeff McComsey - 2022

Jeff's no stranger to the Thing sketchbook in general, but this is his first entry in my second book. Not only did he draw a human Ben Grimm, but this entry is also a period piece. Jeff drew Captain Grimm in 1951 as a pilot during the Korean War. He also drew it as if it were a photograph, with the caption written underneath. The drawing is secured to the sketchbook with adhesive photo corners, making this entry extra special.

Duane Redhead (2022) and Ian Nichols (Contropolis 2023)

It's a two-page spread! By two artists! At two different times! Oh wow.

For a brief time during Marvel's Fear Itself event series, the Thing was transformed into Angrir, Breaker of Souls after picking up a hammer, similar to Thor. He had these weird squid-like creatures around his neck and his rocks looked a bit volcanic. He also beat up the Red Hulk during this period, before returning to his much more lovable Thing state at the end of the series.

Anyway, it's always fun to get different versions of the Thing in the book, and this one's about as different as they come. Our pal Duane Redhead was visiting from the UK when I so rudely handed him the sketchbook, but he came prepared and knocked out this very intense left side of the page. Fellow Tick artist Ian Nichols finished off the right side the next year at a small comic show in Philadelphia named Contropolis. Ian added the Thing/Angrir's partially gloved fist and tried to match Duane's detailed style. This one definitely stands out in the book.

Kelly Phillips - Small Press Expo 2022

I know Kelly through our mutual love for "Weird Al" Yankovic - not only are we both fans, but we've both contributed to the Illustrated Al anthology. Kelly definitely one ups me in the Weird Al comic department with her beautiful Weird Me collection, though, hey, it's not a competition (is what I keep telling myself). Kelly also contributed to the first issue of Planet Comics, and I met her for the first time outside of a Weird Al concert at 2022's SPX show in Bethesda, Maryland. I really enjoyed the show, and I got quite a few Thing sketches when I was there, starting with this sultry pinup drawing of Ma Grimm's baby boy. Flaunt it if you got it, I guess.

That's it for another Thing-tastic sketchbook session. Plenty more to come. Happy clobberin', everyone.

My first "Helmet Thing" original comic art (please congratulate me)

In the early-to-mid-'90s, the Thing wore a helmet. This "battle damaged" Thing redesign made him, I suppose, both more extreme and more X-TREME, which fit for the time (though the helmet was originally designed by Jack Kirby and made a very brief appearance in the early issues of the Fantastic Four series). And while I hated the look at the time, I've come to feel a bit of nostalgic appreciation for it, though, to be clear, I NEVER EVER want the character to adopt the look again.

I've never been able to find any helmet Thing original artwork - at least, nothing I've been able to afford - but that streak came to an end recently when I managed to grab a page from Marvel's Cage series, which ran from 1992-93 and starred former FF member Luke Cage. Let's take a look at it! 

This is a great page for the following reasons: it's full of action, it prominently features the Thing, all of the dialogue balloons and sound effects are still pasted to the page, and most importantly, THE THING IS WEARING HIS HELMET.

Here's the cover to the issue from which this page comes. The Cage series ended with issue 20, so this is one of the final pages from the series.

In the issue, Luke Cage has been possessed by the villainous Bogeyman, and the Thing and the Human Torch set out to free him from the nefarious influence. The battle takes the three to the piers of New York City.

If I had to guess, I'd say the Bogeyman was meant to be Venom-like in its portrayal. The villain tries to possess the Thing, but OH-HO! It's not to be because of his VERY IMPORTANT HELMET! Nice!

The page is pencilled by Scott Benefiel and inked by Frank Turner. The letters come from John Roshell and Comicraft - the company had just been founded a year earlier. This is a very early example of digital lettering in the comic book industry. In this instance, the letters were printed, cut out, and pasted to the art board. I think it really adds something to the artwork, though I understand why it doesn't happen anymore. 

In the end, our Fantastic Four duo are victorious, mostly because the Thing punched a lot (and very well). I guess Johnny keeps Luke Cage from flying off into the stratosphere by flying up to grab him.

There's just one editorial note on this page, next to the last panel, and it's a note for the colorist to make Johnny's forearms blue, as he's turned off his flame to that part of his body as he grabs his pal Luke.

This is a really great page that makes a unique addition to the collection. It's my first page of original art with the Thing in his helmet! This is a reason to celebrate.

Mezco Toyz One:12 Collective Thing figure

The Mezco Toys Fantastic Four set came out in November of '23, featuring all four members of the superhero team (plus H.E.R.B.I.E.) in a boxed collection. This was part of the company's One:12 Collective line, a series of high-quality action figures from a number of different licensed properties. I can only imagine this means that these figures are produced at 1:12 scale.

All of Mezco's sets come with deluxe features and accessories, and they are all priced at a number that will probably make your heartbeat increase a little before adding a set to your cart. The Fantastic Four set is priced at $420, which means each figure is priced at over $100. I waited a while to see if buyers were purchasing these sets to break them up and sell the figures individually, and that's just what happened. I was able to get Ben Grimm for $150, which was not nearly as high as I expected the markup to be. I love the FF and in a perfect world I'd have the complete box set, but I'm more than happy to spend a lot less and get the Thing. Let's take a look at this figure!

Okay, I don't know who this is. It's a big guy in a coat, hat and sunglasses. I ordered the Thing! WHO DO I SPEAK TO ABOUT THIS?!

After removing the coat, I found that it was all a very clever disguise that could have fooled anyone, and that it actually WAS the Thing underneath. What a relief!

The coat and hat - and all of the accessories, really - are top notch, and add some extra detail to this figure that sets it apart from a lot of the others that are out there. The coat, for example, has a small wire that runs along the seams to make it very posable. It's made of fabric and the buttons are all individually sewn on. The attention to detail is really impressive all around. This also makes me a bit anxious about breaking something, whether that's the wire or button or the tiny belt buckle. I probably have to pick a look for this figure and stick with it.

I'm usually not a fan of using fabric on figures. The Thing's shorts, for example, probably would have looked better if they were vinyl like the rest of him. They're also not attached to the leather-like belt at the top. But this is the look that Mezco is going for, so I knew what to expect. The coat is a definite exception to this rule, as it looks great.

Here's the back! The Thing stands on a blue plastic platform that has the classic Fantastic Four logo on it.

Speaking of accessories, the figure comes with a number of different and easily interchangeable heads, with various emotions. Do you want to your figure to look like the "This Man, This Monster" depressed Thing? Well, you can just swap out the "sad Thing" head and you're all set! Do you want your Thing to be in a blind, uncontrollable rage? You're also covered! The Thing comes with all kinds of unhealthy emotional states. And blue eyes, too!

There are also three sets of hands, and they work well with the other accessories that we can see below:

My favorite of these is a Yancy Street lamppost, complete with the street sign. This bends just a little and Ben can hold it with one of the sets of hands. This is the classic Thing!

There's also a steel beam that Ben can grab and bend a little, when he's feeling up for it.

This is without a doubt a great figure, and it makes for a really nice display piece. I'm still torn on whether or not the FF set was worth $420 plus shipping. The Thing stands at about seven inches in height, comes with a ton of great accessories, and is a welcome addition to my collection. Is it five times as good as some of my other, cheaper action figures? I suppose that's all academic at this point, since I happily bought it. I'm not sure I'd pay this much for anyone besides Ben Grimm.

And checking Mezco's website, I see that they make a Spider-Man 2099 figure. HECK!

The biggest and smallest books I own

I recently bought a very large book, along with some very small books, and WHAT DO YOU KNOW, they were both comic books. These have the distinction of being the biggest and smallest books I own, so let's take a look at these record-breakers. 

In 2022, Taschen published a number of early Marvel collections, reprinting 1960s issues of titles like the Avengers, X-Men, Silver Surfer and the Fantastic Four. These absolutely enormous collections, measuring 11 by over 15 inches, are an impressive sight, and they're shipped in boxes that include additional art.

The Fantastic Four volume weighs over 10 pounds and is 700 pages long, reprinting the first 19 issues of the series and the first annual.

The publisher scanned high-grade copies of printed issues of the book.

The version I got was limited to 5000 copies. I got it for a good price, lower than its original $200 price tag. It seems that they're getting close to selling out, as my numbered copy was 4,526. There's also an absolutely ridiculous $600 version that includes features like a Thing-themed book ribbon, which, okay, I will probably never be able to afford.

The books itself is lovingly designed, with a number of pieces beyond just the 20 collected issues.

There's an introduction by FF writer Mark Waid, and some almost-to-scale scans of Jack Kirby's original art.

The pages themselves are beautifully scanned and presented. This is, honestly, an expensive presentation piece or coffee table book; there are cheaper ways to read the first 20 issues of this series without having to lug out this monstrous version.

One nice feature is that the book includes all of the material from each issue, from cover-to-cover. This means that the letters pages and ads are part of this book, which is really spectacular. The Thing clobbers at a mighty scale in this book!

I've also made some headway into my collection of Marvel Mini Books from 1966. These tiny books reside on a display shelf I'm currently working on and I think they're looking good so far!

These tiny comics - smaller than a postage stamp but with actual original stories printed inside - were sold in gumball-like machines in '66, and there were six in total. Superman actually makes an appearance in the Spider-Man mini-comic! I'm still on the lookout for the Hulk and Millie the Model comics.

A few years ago, Abrams collected these mini-books and reprinted them in (relative) gigantic format. The stories themselves are pretty bland, as you might expect, and Millie's comic has the message of "don't ever get fat!" but I still find them pretty charming. Hopefully I can pick up the other two soon. And, you know, if the $600 Taschen Fantastic Four reprint goes on liquidation any time soon...just let me know. I have no reason to show the My Pet Monster figure in the picture, but I like it, so there it is.

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Oh! And they finally announced the cast for Marvel's 2025 Fantastic Four movie! I am very excited about this! I don't have much else to say except that they are almost certainly going to start filming this soon, and I really hope that some of it will be filmed in New York City, and if that's the case I am going to try really, very hard to be in this movie in some capacity. 

Lastly, here's some great Thing original art I picked up recently. This piece was created by the Inkwell Awards, a nonprofit comics organization. This year, the Inkwells took some pencils by Walt Simonson, printed out a number of blueline copies, and had different inkers ink them. The one I picked up has inks by Guy Dorian, Sr., who has done a lot of work for IDW, notably ROM. This is on 11x17 artboard and will look great...okay, absolutely anywhere, but specifically with one of my folders of Thing art. I almost didn't recognize Ben through his really sophisticated disguise.

Let's take a look at "The Illustrated Al" from Z2 Comics!

Every once in a while, two great things converge. Sometimes the result is ranch dressing-flavored ice cream. But other times, two great things coalesce into a somehow perfect combination. Even more infrequently, I get to make the dang things. So here we are at today's much-anticipated blog post about The Illustrated Al, Z2's "Weird Al" Yankovic graphic novel, inspired by Al's catalog of songs.

As an aside, would you look at that picture at the top? I'm going to be buried with it. Anyway, let's move on.

The Illustrated Al is a collection of graphic adaptations of a number of Weird Al songs, mostly focusing on his original material from various albums over Al's decades-long career. I was contacted by Z2's EIC in May of last year asking if I would like to participate to this project, of which Al himself was overseeing. I've loved comics only slightly longer than I have loved Weird Al, so I naturally agreed and picked my contribution from a list of pre-selected songs. Wouldn't you know, my all-time favorite Weird Al song, "Good Old Days" from the 1988 "Even Worse" album, was available, so I jumped on that and contacted my friends Jeff McComsey and Mark Welser to help me make this short story. Folks, I gave it my all, and I'm happy with the results.

I knew from the beginning that I didn't want to just adapt the song in a literal way. First of all, "Good Old Days" is a very dark and violent song when taken at face value; making a comic about this means that right away, we're lacking the accompanying James Taylor-like musical track which adds half of the humor to the song. I could go on about how the combination of those two disparate elements creates a pitch-perfect package.

What I tried to do was create a narrative around the lyrics that centered around the story's main character looking back at his life and all of the havoc he's created. He's at the end of his life and he wants it all to mean something - he wants to perform his biggest and most terrible act yet. So he's pretty much a serial killer, which is an idea that is, in some ways, so difficult to accept as a concept that it lends itself to hyperbole from the beginning. Then I set it in outer space, because I like outer space.

Over the course of creating and submitting the story, I got a few notes from Al, his manager, and Z2's editorial team, but the story was mostly accepted as we made it.

I'll let the story speak for itself, but there are a few things that I want to call attention to. The panel above is from a sepia-toned flashback scene, where we meet the song's Mr. Fender ("who ran the corner grocery store"). There's only one line of dialogue in this story, while the rest of the lyrics are presented in dialogue boxes, which seemed more appropriate. This one line gave me the opportunity to use a different font, and I felt that I should probably use it to include my newly-minted McClellafont. Really, if there was a reason I made the thing in the first place, this was it.

Let me also point out that I did add several Easter egg-style references to some of Al's other works and the like in this story. A few people have found some to this point, and there are some in this very panel. Most of them are pretty obvious, though maybe not all.

In addition to lettering, I tried my hand at color separations (or flatting) for the first time with this story. This is the process of adding color to the image that a traditional colorist will refine later. I will say that this process didn't take a lot of skill (perfect for me), but it did take a LONG time to do. It was very time intensive. I did what I could.

In true form for the modern comic book industry, the hardcover volume was released with a few different covers. The main cover is on the left and has art by MAD Magazine's Drew Friedman. On the right is the limited Local Comic Shop Day exclusive cover by Mark Fredrickson, also of MAD fame. It's interesting to note that the LCSD version of the book was actually the first to be released in late November of '22, while the proper, wide release version didn't come out until early this year.

The back cover actually has my name on it (and they spelled it correctly, too!), alongside some real comic book heavyweights. You might notice, along with myself and Jeff McComsey, a few Planet Comics contributors in this list such as Hilary Barta and Weird Me creator Kelly Phillips.

"Good Old Days" is located toward the end of the book. It's surreal to see it printed in this fine collection. Oh, and I also feel like mentioning that I created the 3-D title effect in Illustrator specifically for this story.

There was also an oversized, super deluxe model that came with a slipcase, a cover by Mike and Laura Allred, and a bunch of extra stuff like trading cards, coasters, a turntable dust cover and a print set. There's supposedly a miniature accordion still in the works that got delayed in production. This version is really extravagant and it seems like a real collector's item that some folks will keep for years.

I mentioned Planet Comics earlier - issue #3 ran this ad in the back, which I believe is the only print ad for the book out there. I contacted the folks at Z2 and they put this ad together. I suggested they use the line, "give meaning to your boring, miserable life," which is along the lines of something Al would say about his songs and concerts in the past, and they went with it.

In the very back of the Z2 hardcover, we find this page, which was probably created to fill some blank space at the end. Am I implying that this sequence made it into the book because of my ad copy suggestion? I am outright speaking it into existence, my friends. You are all welcome.

Once the book was widely released in January, Al and the Z2 staff went on something of a mini promotional tour, talking with a number of comic book and mainstream entertainment outlets about the collection. I get how these work: so that a bunch of sites can claim that they have exclusive looks at the book, giving them an incentive to promote their interviews and by extension the product being sold, creative talent will talk about certain things with one site and other things with other sites. Cynicism aside, it was still very gratifying to see my name pop up at a few of these outlets, such as Entertainment Weekly.

The best of these interviews, bar none, came from Gizmodo, where Al mentioned the "Good Old Days" story, Jeff McComsey and me by name:

This was, and is, a pretty big deal to me, and I'm really grateful that Al noticed the story and some of the effort we put into it.

A lot of this coincided with Al's 2022 tour and the release of Weird: The Al Yankovic Story from the Roku Channel. And speaking of effort, I got to play "Weird Al Jeopardy" at the Pittsburgh tour stop and I cleaned up. Don't worry that one of the individuals I beat was a literal child.

After the show this night, I got a brief opportunity to speak with Al. Without any prompting (I promise), he told me how much he enjoyed the Illustrated Al story that I worked on. I realize that he is both a professional and an actor, but he seemed genuine and I choose to believe that this was a truly spontaneous moment. It is - without a doubt - a moment that I will remember for a long time to come, and I really appreciate his words.

There was a Weird Al flash mob that performed outside at the UHF screening, earlier in the evening: pic.twitter.com/fe0bI8bQ74

— Jeff McClelland (@JeffMcClelland) September 9, 2022

Around this same time, I got to attend the premiere of Al's movie in Toronto...

...and I found a seat at the Weird panel at the New York Comic Con...

...where I bought this "Fat" portrait from artist Clay McCormick.

At the very end of the year, a radio station in Wisconsin changed their format to all Weird Al, all the time for a brief period. Suffice it to say, 2022 was a big year for Weird Al, and a big year for me and a few different Weird Al projects.

I walked away from this project with some really great original art, too, starting with pencils (and a book of thumbnails) from Jeff McComsey.

I also managed to grab the title page image from Craig Rousseau, who put together the "Melanie" adaptation in the book.

Danny Hellman drew the trading card art that was also included as a set of pinups at the back of the book. I got this one, drawn on vellum, of the absolutely incredible "Living with a Hernia" piece. I'm debating on whether or not I should frame this one.

This was an incredible experience, and it was something in which I took a lot of pride contributing. I'm eternally grateful to Al and his team for considering me when this project was just starting out, and to Z2 for their work in putting the book together.

The book itself has had a pretty wide release, and you can find it at comic shops and bookstores worldwide, as well as online on Z2's website and the usual places like Amazon. I'm hoping to grab a bunch more to take to conventions with me this year.

I think I've made it clear on this site that I'm a really big fan of Al and his music, so this was a really big deal to me. And in case I need to show off my nerd cred even more, check out these stage-worn boxer shorts I just bought that Al rubbed in someone's face while singing "One More Minute:"

Take care, all.